The Sign of Coins is a woman’s Angrakha that unfolds like a forgotten manuscript, each seam a verse, each fold a breath. Draped in deep black, it wraps the torso like an ancient script written not in ink, but in intent.
Its silhouette crosses diagonally, closing like a sacred text. Along the neckline, antique gold coins gleam like hand-drawn punctuation strung on maroon thread, weighted with quiet ceremony.
The sleeves fall with the softness of brushed calligraphy. The hem, grazing mid-calf, holds its stance between restraint and presence. And the fabric? It doesn’t flow—it recites.
Every coin, every curve, every flare is placed with purpose.
A garment worn not just to be seen, but to be read.